In this, the middle note is sharp and the rest of the notes are pure. It is also known as 'Kalyaan'. In this, the 'Pa Re Ga' accompaniment is important. There is a lack of Pancham in the ascension.

Raag Bageshri is a very popular and melodious raga belonging to the Kafi Thaat. It is typically performed in the late night. The beauty of Bageshri lies in its gentle and romantic character. It evokes a feeling of longing and tranquility. The komal Nishad (♭Ni) is a very important note and is frequently used in phrases. The movement of the melody is often stepwise, contributing to its soothing effect. Bageshri offers a wide scope for improvisation and is a favorite among vocalists and instrumentalists alike. It is considered a raag that paints a picture of a serene and beautiful night. Various compositions like drut and madhyalaya khyals and bandishes are sung in this raag.

Raag Khamaj is a graceful and romantic raga in Hindustani classical music. It is widely used in semi-classical and light classical genres like Thumri, Dadra, Bhajan, and Ghazal. It belongs to the Khamaj Thaat, and often uses komal Ni (♭7) in the Avaroha (descending), while all other notes remain shuddha (natural). Its mood is playful, sweet, and lightly romantic, often evoking emotions of love and devotion.