Explore the rich heritage of Hindustani classical music through ragas, instruments, legendary musicians, and traditional gharanas in one comprehensive platform.
10 Must-Know Ragas for Beginners
Indian classical music, is based on ragas — melodic frameworks that evoke specific moods and emotions. For beginners, it's essential to start with ragas that are simple, melodious, and widely taught. Here's a list of 10 beginner-friendly ragas every aspiring student should get familiar with.
Thaat: Kalyan
Notes: Shamurna (7-note scale)
Mood: Romantic, Devotional
A very popular and graceful raga taught early in music education, using the Teevra Ma (sharp Ma).
Thaat: Kalyan
Notes: Audav (5-note scale) (no Ma and Ni)
Mood: Peaceful, devotional
Easy to learn and used in both classical and light music.
Thaat: Bilawal
Notes: Audav (5-note scale) (no Ga and Ni)
Mood: Calm, pure
A pentatonic scale, often used to introduce swara clarity and simplicity.
Thaat: Khamaj
Time: Monsoon, Night
Mood: Joyful, Romantic
Popular in patriotic songs and bhajans, this raga is vibrant and lyrical.
Thaat: Kafi
Time: Spring, Evening
Mood: Earthy, Playful
Helps students explore semi-classical genres like thumri and dadra.
Thaat: Kafi
Time: Late Night
Mood: Longing, Devotion
Introduces emotional expression and deeper alap improvisation.
Thaat: Bhairav
Time: Early Morning
Mood: Meditative, Sacred
With its distinct Komal Re and Komal Dha, it builds understanding of mood and intonation from the start.
Thaat: Kafi
Time: Noon
Mood: Devotional, Bright
A popular midday raga, easy to learn with appealing melodic movements.
Thaat: Bilawal
Mood: Cheerful, Bright
Simplified version of Raag Bilawal with a distinct and beginner-friendly character.
Thaat: Bhairavi (for classification)
Notes: Audav
Mood: Serious, Meditative
Though slightly advanced, its pentatonic scale and majestic sound make it unforgettable.
Learning these foundational ragas:
Builds swar gyan (note recognition)
Develops aesthetic sense (rasa bhavana)
Trains the ear for intonation and improvisation
These 10 ragas form the building blocks for deeper exploration in Indian classical music. Whether you're a student, teacher, or enthusiast, mastering them will give you a strong musical foundation and open the doors to many expressive possibilities.
Basic Information About The Indian Classical Music
What is music?
Singing, playing (instruments), and dancing — these three together are called music.
How many Swar are there?
There are seven notes, and their names are as follows:
Shadja, Rishabh, Gandhar, Madhyam, Pancham, Dhaivat, and Nishad.
When sung, they are vocalized as: Sa, Re, Ga, Ma, Pa, Dha, Ni.
An Introduction to Raags and Rasa Theory in Indian Classical Music
Indian classical music is not just a form of entertainment; it is a profound system of spiritual and emotional expression. At the core of this music lie two essential concepts — Raag and Rasa. These two Sanskrit terms together define the essence and emotional power of Indian classical performance.
This blog will guide you through the philosophical, theoretical, and emotional aspects of raags and how they are used to create and convey specific moods and sentiments as per Rasa Theory.
A Raag is more than just a scale or a set of musical notes. It is a melodic framework with specific rules for ascending (Arohana) and descending (Avarohana), key notes (Vadi and Samvadi), and characteristic phrases (Pakad). Each raag has:
A unique identity and emotional flavor
A specific time of performance (Samay)
A prescribed seasonal or spiritual association
Raags are designed not just to be heard but to be felt. The musician's job is to breathe life into a raag through improvisation and emotion.
Rasa is a Sanskrit word meaning “juice,” “essence,” or “flavor.” In the context of Indian aesthetics, especially performing arts, it refers to the emotional flavor that an artwork (in this case, a musical composition or performance) evokes in the audience.
According to Bharata’s Natyashastra — an ancient treatise on drama and aesthetics — there are nine primary Rasas:
Shringara (Love, beauty)
Hasya (Laughter, joy)
Karuna (Compassion, pathos)
Raudra (Anger)
Veera (Courage, heroism)
Bhayanaka (Fear)
Bibhatsa (Disgust)
Adbhuta (Wonder)
Shanta (Peace)
In music, the raag becomes the vehicle to express these rasas.
Each raag is believed to correspond with one or more rasas. For example:
Raag Desh evokes romantic and joyous feelings (Shringara, Hasya)
Raag Bhairavi is known for its melancholic and devotional mood (Karuna, Shanta)
Raag Darbari Kanada creates a sense of gravity and seriousness (Raudra, Veera)
This connection isn't just theoretical. Through note selection, tempo, ornamentation (gamakas), and improvisation, a musician can shape how a raag affects the listener emotionally.
Modern research in music psychology has begun to affirm what Indian musicians have known for centuries: certain scales and tonal patterns can evoke specific emotions.
Slow tempos and lower frequencies tend to evoke sadness or tranquility
Fast tempos and sharp movements can evoke excitement or aggression
The microtonal nuances (shruti) and emotional memory of the listener also play an important role in the perception of rasa from a raag.
Indian classical musicians do not simply perform compositions. They interpret and improvise within a raag to bring out its emotional core.
A vocalist might stretch a note to enhance pathos.
A sitar player may use a meend (glide) to express longing.
A tabla artist adjusts rhythm to support the emotional pacing of the raag.
Each performance becomes a living exploration of rasa through the medium of raag.
Raags and rasas are not merely artistic tools. They are used in:
Temple rituals and devotional singing (Bhakti)
Healing music (Raag Chikitsa)
Meditation and Yoga practices
Storytelling traditions like Kathak and Bharatanatyam
This blend of sound and emotion aims to elevate the listener’s consciousness, creating a deeply immersive and transformative experience.